Edit & Story
The cut is the film. Rhythm, structure, where the silence goes. Commercials, promos, brand films, long-form and the vertical versions that come off the same timeline.
- Premiere Pro
- Multicam
- Sound pass
REC Scene 01 / Take 07 2.39:1 23.976 fps Cairo, EG
Cutting Beyond Luxury
Senior Video Editor & Colorist
I’m Ahmed Abdelfattah — editor, colourist and AI film director working out of Cairo. I take footage, boards or nothing at all and return a finished film: cut, graded, titled, mastered. Seven years of it, including two years leading the promo desk at Al Ahly TV.
07+Years in post
Al Ahly TVFormer promos lead — broadcast
AI / LiveBoth pipelines, one grade
Trusted by
Ahmed Abdelfattah — Showreel Edit · Colour · Motion · AI
00:00:38:00 Selected sequence 2026
CL 01
Handball, Bound for Russia
00:00:57:00 CL 02Wegz — Lege-Cy
00:00:34:00 CL 03El Trend
00:00:31:00 CL 04Hossam Ashour — Here Al Ahly
00:00:28:00 CL 05HUNTX — AI Commercial
00:00:26:00 CL 06Al Ahly vs ZED
00:00:57:00 CL 07Al Ahly vs Barcelona
00:01:03:00 CL 08SAS — Motion Graphics
00:00:10:00The full archive → see the portfolio
Behind the scenes → Wegz × Lege-Cy concert promo·Handball promo case study·HUNTX case study
00:01:02:00 The grade bench Drag to compare
Camera original · RAW / Log Final look
DRAG
00:02:10:00 What I take on Four desks
Colour
Shot matching, a look built for the piece rather than a preset, and masters that hold up on broadcast, cinema and a phone in daylight.
- Resolve Studio
- RAW / Log
- Rec.709
Motion & Titles
Title cards, logo reveals, lower thirds and the clean-up nobody notices — tracking, paint-out, screen replacement, comp.
- After Effects
- Blender
- Compositing
AI Film Production
Whole scenes with no crew and no location: character-reference sheets, shot-by-shot generation, then the same grade and finish standards as live action.
- Seedance
- Character sheets
- I2V / T2V
00:02:48:00 The AI pipeline Concept → master in days, not weeks
This runs in order, and the order is the whole trick — most AI video falls apart because identity and lighting drift between shots. Fixing them upstream makes the footage far easier to cut.
01
Board
Script beats turned into a numbered shotlist with framing, lens and duration per shot.
02
Character sheets
Three-panel reference sheets to keep a face, a wardrobe and a logo as consistent as possible across shots.
03
Generate
Shot-by-shot image-to-video with camera and blocking written into the prompt, not hoped for.
04
Cut & grade
Assembled on a real timeline, shot-matched in Resolve, with grain and gate weave added where the look needs it.
05
Master
Sound, titles, deliverables in every ratio the campaign needs, versioned and labelled.
00:03:12:00The toolkitPipeline · 2026
Premiere ProDaVinci Resolve StudioAfter EffectsPhotoshopBlenderSeedanceNanoBananaHiggsfieldChatGPTClaudePremiere ProDaVinci Resolve StudioAfter EffectsPhotoshopBlenderSeedanceNanoBananaHiggsfieldChatGPTClaude
00:03:30:00 Client words In their words
Haidy ★★★★★Voice note · in Arabic · ✓ Verified on WhatsApp
Of course, my word about you is biased — I've never seen anyone as skilled as you, never — truly, mashallah. Professional in everything: your work, your approach, your style. Honestly, I see you as bigger than any rating I — or anyone — could give you. You truly deserve the best. May God bless you — always this successful, this brilliant…
Translated from Arabic · tap any line to jump to itClient reviews
in their words.
Words from the teams I work with.
Worked with me?
00:03:52:00 Last frame Available for commissions
Got footage?
Or just an idea?
Footage, a brief, a rough board or just a one-line idea — any of them is a starting point. You get a treatment and a schedule back before anything gets cut.